STUDIES Titian

Yearbook of the Foundation Studies Centre Titian and Cadore – Number V, 2007
The fifth issue of "Studies Titian" proposes a series of actions and reflections on teacher Cadore denoting a wide variety of critical attitudes, methodological and, generational, thus highlighting the liveliness of an international tradition of its ongoing studies intact to the present day. The book opens with a brief study of historiographical where David Rosane evokes the figure of Hans Tietze and Erica Tietze-Conrat, protagonists of the great Viennese school of art history and distinguished scholars of Titian. The complete bibliography of the numerous writings on Venetian spouse Tietze, curated by Elena Vázquez, covers a period of almost fifty years and lists publications that have appeared mostly in locations difficult to access and therefore are not well known. This is a recovery of secondary importance not, which provides a valuable research tool.
A young student of Titian, the U.S. Carolyn Smyth, is the author of an article very detailed character iconological / contextual, that brings our attention to a shovel Titian relatively neglected in studies painter, considering it in the context of the chapel which was intended – and where there is still – and analyzing the relationship with the cycle of frescoes by Pordenone.
The essay by Andrew John Martin reconsiders one of the most famous portraits by Titian and discussed, that of Charles V now at the Alte Pinakothek in Monaco of Bavaria, sometimes mistakenly attributed to Lambert Sustris.
This is followed by a study of timely Elena Svalduz, presenting the results of his investigation into the painter's house in Col di Manza, accompanied by a series of beautiful photographs. A Enrico Dal Pozzolo we have the recognition of Titian's Last Supper in the collection of Alba in Madrid. The comprehensive technical analysis Titian's Last Supper is signed by Gianluca Poldi.
The young French scholar Elisa de Halleux, PhD in Art History at the University of Paris I Panthéon-Sorbonne, presents its first publication titled Venus et Adonis, it reflects the calculated sexual ambiguity that pervades the last few mythological works Titian.
The section of essays concludes with a brief note of Francis Russell, noting that the seams of paintings by Titian certain works will determine the compositional.
The second section of this issue presents a series of reviews of recently published books on Titian and on issues related.
David Rosand, finally, recensisce in an authoritative way the two major exhibitions of Titian 2007, respectively set up in Vienna and in Belluno.

Edited by: B. Aikema
Format: cm 21×27pp.. 208
Photos: 150Softcover
ISBN: 978-88-6302-014-4